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I'll be posting some random thoughts here about my photography: my travel plans, technical information behind some images, stories about how certain pictures were captured, etc. The timing of the postings will also be random as my priority is capturing new images rather than writing about existing ones. I hope you will feel free to comment on any of my postings and I appreciate you taking time to read my entries.
Annunciation Byzantine Catholic ChurchIt was cold and rainy, so I visited an interior space located just a couple of miles from my home. This is the Annunciation Byzantine Catholic Church in Homer Glen, Illinois. The priest leaves this church open all the time...and it is often unattended. When I entered the church, I was the only one on the grounds. After shooting for 30 minutes or so, I noticed that the lights were dimming. The priest had entered the sanctuary and turned off the lights--not knowing I was there. When he saw me, he started apologizing for turning off the lights! He then asked me exactly how bright I wanted the chandeliers as he could adjust the dimmer (I didn't have access to that area). The amazing thing about this interior is that this priest painted the entire space. Every inch of this church is covered with artwork...including the entire ceiling. To view 19 photographs of this colorful church, please CLICK HERE.
"Gorilla Portrait" Wins Photo of the Day!This morning, my "Gorilla Portrait" picture won Imaging Resource's "Photo of the Day". CLICK HERE to view Imaging Resource's Photo of the Day page. This photograph was captured two months ago at the Brookfield Zoo. This is my fifth Photo of the Day winning entry from the Brookfield Zoo.
This marks the 58th time that one of my photographs was recognized by Imaging Resource as its "Photo of the Day". A photographer is limited to one winning entry per month, so this series of winning images stretches back more than six years. Click here to view all of the winning entries over the past few years.
Architectural AbstractsOne of my favorite subjects to photograph is architectural abstracts. During my road trip through Florida, I visited several large cities. I enjoyed walking the streets and composing abstract images. I find the geometry of these scenes to be interesting. The photographs emphasize lines, colors and shapes. Here are a few from Tampa...
Band of BrothersIn my last blog entry, I explained the lighting setup that I used to photograph the players on my 12U baseball travel team. In addition to creating individual portraits, I used the images to produce a banner for the team:
Studio SetupIn recent years, my photography has moved mostly towards architecture, landscapes, wildlife and nature. I very rarely shoot portraits. Typically, I break out the studio lights once a year to capture photographs of the players that play on my travel baseball team. Most years, I keep the lighting very simple. This year, I tried something far more complex--five lights and a reflector! I also photographed a volleyball player during the photo session. The setup consisted of the following:
Naples PierDuring my road trip through Florida, I visited Naples Pier to capture some sunset photographs. It was a nice sunset. About 20 minutes after the sun went down, I packed my gear and started to leave the beach. I then decided to walk onto the pier to see if there might be other photo possibilities for the next day. To my surprise, the pier was suddenly illuminated! In my opinion, it was the lit pier that would make for a much more interesting photograph! So, I returned the next night to capture the picture. The challenge is that the pier isn't lit until the sky is very dark. By that time, the colors in the sky are mostly gone and the picture has too much contrast. The way that I approached solving this problem was to blend a couple of exposures. The first photograph was captured during sunset when the sky looked good to my eye. I then kept the camera in the same spot (mounted securely to my tripod) until well after sunset when the pier lit up. Later in post processing, I blended the two images. I used the original scene as my base picture and then brought the lights from the pier into the image. This way, I was able to light up the pier myself! The softness of the water in the Gulf of Mexico is a result of a very long exposure. To accomplish that, I attached a ND (neutral density) to my Nikon 24-70 lens. My neutral density filters got a real workout during this road trip.
Dali StaircaseDuring my road trip through Florida, I visited the Salvador Dali Museum in St. Petersburg to capture photographs of the staircase. I enjoy staircases and have compiled a collection of staircase photographs. And, the spiral staircase inside the Dali Museum is certainly one of the more unique staircases that I've seen. Not unexpectedly, I was told that I wouldn't be permitted to bring my tripod inside the museum. Also prohibited was my camera backpack. Since I had walked a great distance to get to the museum, I had no way of returning to my car to store these items. The security guard suggested that I use the storage lockers which were situated outside the building. As my gear is quite expensive, I was hesitant to do so. But, the security guard assured me that the items would be safe. He said that nothing has ever been stolen from the lockers in the history of the museum! I took a chance by storing my tripod along with three or four lenses in the locker--and everything worked out OK. There were several challenges to overcome in photographing the staircase. First, the scene is very crowded. Not only are people constantly on the steps, but there's quite a crowd standing near the information desk right under the stairs. There's also a small cafe in the lobby which made it difficult to set up. Finally, a security guard is stationed at the top of the staircase. I was able to overcome most of these issues by being patient. I also revisited just before closing--and the security guard tended to wander away from his chair at that hour as very few new visitors were entering the building. My next challenge was dealing with the wide range of light. Ordinarily, I would stabilize my camera with the tripod and bracket some exposures to create a high dynamic range (HDR) image. Since I couldn't use a tripod, I tried another approach. I set my Nikon D850 to a continuous burst of 9 frames per second with bracketed exposures (1 stop apart). With the frames blasting so quickly, I hoped that I could keep the camera steady enough to allow me to align the images later in post processing. Later, I used Photoshop to align the images...and it worked! The only downside of hand-holding the camera for these shots was that I had to raise the ISO setting to achieve fast enough shutter speeds. Instead of using the base ISO setting of 64 for the D850, I boosted the ISO to 800. ISO 800 is still very reasonable and fully capable of creating photographs of high image quality. Here are a few photographs of the staircase:
Avenue of OaksDuring my recent road trip through Florida, my plan was to stay two nights at Jekyll Island to photograph Driftwood Beach. I revised this plan when I was only able to reserve a hotel for the one night at Jekyll Island. I spent the other night at nearby St. Simons Island, Georgia. I very much enjoyed my time on St. Simons Island. The highlight of my stay was a sunrise photo session at the Avenue of Oaks near the entrance to the Lodge At Sea Island Golf Club. I arrived at the location well before sunrise. I knew that it was expected to be a clear sky and that the scene would be destroyed for photography once the direct, harsh sunlight struck the oak trees. So, I started shooting before sunrise. I like the photos, even though the light was a bit flat. I kept shooting through sunrise until the sun became too bright. My favorite picture of the morning was the one taken right as the sun rose over the horizon and gently lit small portions of the live southern oak trees:
"Naples Pier" Wins Photo of the Day!This morning, my "Naples Pier" picture won Imaging Resource's "Photo of the Day". CLICK HERE to view Imaging Resource's Photo of the Day page. This photograph was captured two months ago during my road trip to Florida. This is the second picture from that road trip to win a Photo of the Day. This photograph is a blend of images spanning about 45 minutes. I first captured the sunset and then waited until the pier was illuminated after dark. I later blended the two images during post processing. The tripod never moved during that 45 minute window. Another element in creating this photograph was the use of a neutral density filter. This enabled me to use a long exposure of 25 seconds--which helped to smooth out the water and capture some motion in the clouds.
This marks the 57th time that one of my photographs was recognized by Imaging Resource as its "Photo of the Day". A photographer is limited to one winning entry per month, so this series of winning images stretches back more than six years. Click here to view all of the winning entries over the past few years.
Harsh Daylight and InteriorsWhen one thinks about photographing interior spaces, the lighting conditions outside isn't always top of mind. However, after shooting the interiors of many buildings over the years, I'm almost always hoping for overcast conditions. In the case of churches, bright sunlight typically blows out the stained glass windows--even when taking extreme HDR measures. With state capitols, portions of the domed ceiling will get blown out as well...or deep shadows might be cast in unwanted places within the frame. During my road trip through Florida, I came across this challenge during my visit to the historic Ponce de Leon Hotel on the campus of Flagler College in St. Augustine. After persuading the security guard to allow me to set up my tripod and photograph the interior of the lobby dome, I captured a series of ceiling pictures. While reviewing the images on the screen on the back of my camera, I determined that it would be impossible to salvage the colors in a large segment of the frame due to the effect of bright daylight streaming in from a low angle through the entrance door. Segments of the ceiling were blown out...and very blue (due to the color of the daylight as compared to the interior lighting). No amount of exposure adjustments or highlight recovery would save the pictures. So, I returned later that afternoon to inspect the interior again. The lighting was much more favorable in part due to the higher angle of the sun in the sky. I was also able to wait for cloud cover to further improve the image. I returned again the next day to take another look at this interior. This time, not only did the daylight situation improve, but I also noticed that the interior lights did a better job of illuminating the ceiling. Once again, I repeated the entire photo shoot! Here are the final images:
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